I have a dear friend who shared the following with me some time ago. I have thought a lot about it since that time, and I love the concept of the mosaic. I hope what he shared can help someone in some way:
I remember reading an article in the BYU alumni magazine that showed a
gap between two points. Overlaid on this were some puzzle pieces of a
suspension bridge, but considerable portions of the puzzle were missing.
Where the missing pieces had been there was a pencil drawing of the
bridge.
The moral of the story is that even if I can't fit all
the pieces together right now, I can be confident that there is a
"plan" that does fit all the pieces together.
I was unable to re-find the exact article but here is a similar description:
Maybe
another metaphor will help - that of an old jigsaw puzzle. The picture on
the box is a broad, or holistic, view of some reality given by
revelation; but the picture on our box is incomplete (see Article of
Faith 9) and unclear in spots (see 1 Corinthians 13:12). Moreover, we
are also missing several pieces of the puzzle, and we are not even sure
how many are gone. Some of the pieces in our box do not appear to belong
to our puzzle at first, and others quite definitely are strays. The
picture on the box becomes clearer to us, however, with greater study of
its details. The more closely we examine the available pieces and the
more use we make of our minds, the more we are able to put together a
few pieces of solid truth here and there. We may, of course, put some of
the pieces in the wrong place initially, but as other pieces are put
into position and as we continually refer to the picture on the lid, we
are able to correct those errors. As our understanding of both the
picture and the pieces progresses, we gain greater respect for what we
know, for how it all fits together, and for what we yet do not know. (
excerpted from this article)
There
is a similar metaphor of a tapestry that is sometimes used to explain
adversity. The idea is that, from where we sit, the jumbled, chaotic, and
painful experiences are as the loose threads hanging on the underside
of the tapestry. If we could but see from the Master’s perspective we
would see how each thread fits into the master plan. (The Hugh B. Brown
illustration of the currant bush is a famous LDS equivalent.)
These
ideas seem to indicate that there are not only plans for humanity as a
whole but also individualized plans for each of us. When tragedy struck
me, I pondered whether this was part of a grand design for my life based
on this understanding. Was such a horrible event fated to bring about
the maximum divine potential for everyone involved?
This idea did
not resonate with my internal compass and I had to discard it. It
didn’t seem to make sense that God would smash my beautiful glass and
steel structure only to say, “You’ll thank me later.”
A Mosaic
is different than a puzzle. A mosaic is a work of art. It may be from
pieces of broken glass. It may be of puzzle pieces that were never
intended to go together.
Elder Maxwell used the metaphor of a mosaic in one of his talks:
The
finished mosaic of the history of the Restoration will be larger and
more varied as more pieces of tile emerge, adjusting a sequence here or
enlarging there a sector of our understanding.
The fundamental
outline is in place now, however. But history deals with imperfect
people in process of time, whose imperfections produce refractions as
the pure light of the gospel plays upon them. There may even be a few
pieces of tile which, for the moment, do not seem to fit.("
Out of Obscurity", October 1984 General Conference)
But
it seems to me that he is still using them as puzzle pieces - that
there is a master plan and eventually we will see clearly what now we can
only see in outline form. He seems to use the refractions of gospel
light through the "imperfect" pieces as a degradation of the "pure light
of the gospel." I guess in his context he was talking of being tolerant
of imperfection in our leaders – but there is beauty in divine
diversity.
The following is an excerpt from a talk I gave some years ago.
I
can’t speak with any degree of certainty about others, but as I analyze
my testimony. I see that the fabric of it is literally made up of
thousands of experiences that combine together to form a “witness.” I
may not be able to remember most of the moments that have shaped my
testimony. Still, all of these instances have left their mark and
contributed to the whole. (see also "Testimony as a Process", Elder Carlos
Godoy, November 2008) I am left with a tapestry in progress, adding line
upon line and thread upon thread, to discover as Jesus said in the
Pearl of Great Price – that all things testify of Him. (Moses 6:63) Each
little strand in its own way and the whole mosaic together bear record
that He is the Christ.
Because our individual testimonies come
through varied experiences and at different stages, it is to be expected
that there should be some variation and nuance in how each of us
experience the Restored Gospel. (See also Elder Donald L. Staheli of the
Seventy Saturday, Oct. 9, 2004 ) Elder Uchdorf says, “A testimony is
very personal and may be a little different for each of us, because
everyone is a unique person.” ("
The Power of a Personal Testimony", October 2006 General Conference)
I feel like I am constructing a
mosaic and not a puzzle. I am putting pieces together not because this
is where they must fit but because how they look together “speaks to
me.” What I'm building is not a map to "what's out there", it is a
reflection of what is inside me.
I like the idea of
“refractions.” I can imagine divine light shining through my personal
mosaic. What a glorious sight. Mine is unique and special, but it is
still a valid expression of divine light. Sometimes I feel like a mosaic
person in a puzzle church. Sometimes I feel like others are not
comfortable with me because I might "color outside the lines" or put my
pieces together in non-traditional ways. It doesn't matter that my
mosaic doesn't look the same as someone else's.
I do not believe
that God planned out the early death of our daughter, but I do believe
that he came to me there, amidst my internal pile of crumpled metal and
shattered glass, to offer comfort. I believe that He is encouraging me to
rebuild as a mosaic. This new structure has no architectural drawing
and must be grown organically with heart and mind and spirit. I make no
claim that my internal structure is perfect or that I will ever be done
building it. I believe that God is willing to bless my mosaic and
breathe into my imperfect structure His breath of life. God can work
with the imperfections and fill the whole of it with the “pure light” of
his immeasurable love. Like light flowing through a stained glass window,
the human and the divine come together. This has become my chapel.
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